Atlanta theater fans got a spooky treat this Halloween season as Havoc Movement unveiled its latest production, Wolfman, at Windmill Arts in East Point. Running through November 2, 2025, the play blends horror, acrobatics, and puppetry in a fresh take on the classic werewolf tale, building on the company’s hit Dracula show from earlier works.
Plot Twists and Monster Lore
The story follows Lawrence Talbot, an American werewolf in London played by Kevin Roost, who seeks a cure for his curse. He ends up in the care of Dr. Beatrice Chiswick, portrayed by Amanda Lindsey McDonald, and her daughter Gwen, brought to life by Claire F. Martin.
As bodies pile up from mysterious attacks, Scotland Yard Inspector George Clarke, acted by Mark Cosby, steps in to investigate. The script, written and directed by Sam R. Ross, weaves in connections to Havoc’s dark universe, including nods to Dr. Ada Van Helsing from their previous Dracula production.
This setup creates tension through nighttime prowls and romantic sparks between Gwen and Lawrence. Viewers familiar with classic horror will spot clever updates, like how the play ties into real werewolf myths from European folklore, adding depth to the modern retelling.
The narrative builds to a satisfying climax, where revelations about the curse lead to high-stakes confrontations. It’s a mix of exposition and action that keeps the pace lively, though some dialogue heavy sections explain the lore in detail.
Standout Performances Shine Bright
Kevin Roost anchors the show with a physically demanding role, spending much of the time exposed and in agony as he transforms. His work with the wolf puppet, shared with Barry Westmoreland, draws cheers for its seamless movement.
Amanda Lindsey McDonald brings quirk and energy to Dr. Chiswick, delivering complex backstory with flair. Claire F. Martin adds spunk and chemistry as Gwen, making the attraction to Lawrence feel real and intense.
Mark Cosby’s inspector provides grounded authority amid the chaos. The ensemble supports with strong physicality, essential for Havoc’s style.
Acrobatic Feats and Creative Design
Havoc Movement excels in stunt work, and Wolfman showcases this through aerial routines and fight scenes. Samantha Lancaster’s design for the transformation sequence uses silks and projections for a mesmerizing effect.
Jake Guinn coordinates thrilling combats and gunplay, while Ash Anderson handles intimate moments with care. Filmed segments enhance the spectacle, blending stage and screen.
The giant wolf puppet, crafted by Essbee Hester, steals scenes with its imposing presence. Sound and lighting tie it all together, creating an immersive horror atmosphere.
- Key production highlights include aerial silks for transformations.
- Intense fight choreography that ramps up the excitement.
- Clever use of projections to show inner turmoil.
| Element | Designer/Coordinator | Impact on Show |
|---|---|---|
| Puppet Design | Essbee Hester | Adds visual wow factor and realism to the monster. |
| Aerial Routine | Samantha Lancaster | Highlights the physical change in a stunning way. |
| Fight Scenes | Jake Guinn | Brings high energy and danger to key moments. |
| Intimacy Coordination | Ash Anderson | Ensures sensitive scenes feel authentic and safe. |
Ties to Havoc’s Growing Legacy
This production follows the success of Dracula: The Failings of Men, which drew crowds for its bloody stunts. Wolfman expands that universe, hinting at more monster tales ahead.
In Atlanta’s vibrant theater scene, Havoc stands out for blending circus arts with storytelling. Recent events like the Blueprint Festival at Windmill Arts earlier in 2025 highlight the venue’s role in showcasing innovative works.
The play taps into current trends in horror theater, similar to how films like the 2025 Wolf Man movie remake have revived werewolf interest. Yet Havoc’s version feels unique with its live action focus.
Audiences report a fun, sexy vibe, though some note the exposition slows things down. Overall, it’s a solid addition to Havoc’s body of work, appealing to fans of physical theater.
What Critics and Fans Are Saying
Early reviews praise the puppetry and acrobatics as highlights, calling the show a “solid time” despite not topping Dracula’s dazzle. Benjamin Carr’s take notes the clever moments and strong cast.
Social media buzz from Atlanta theatergoers echoes this, with posts highlighting the transformation scene and ending. One viewer called it “fucking good” for its ensemble talent, tying into broader excitement for horror productions this year.
Compared to other 2025 Atlanta events, like Loom Lab’s Old Growth at Windmill, Wolfman fits the trend of movement-based stories exploring dark themes.
Why You Should Catch Wolfman Now
With Halloween approaching, Wolfman offers timely scares and spectacle for locals and visitors. Tickets are selling fast, reflecting Havoc’s rising popularity in Georgia’s arts community.
If you’re into horror with a physical twist, this play solves the need for engaging live entertainment. It informs on classic tales while entertaining through bold performances.
Share your thoughts on Wolfman in the comments below, and spread the word to fellow theater fans about this Atlanta gem.
